La ricerca sarà presto disponibile in italiano, per favore scrivi in Inglese.
Mystery Series
Where? When? How? Why? More and more questions as the police enquiry progresses. With this album Guy and Elisabeth Skornik provide the answers/ Violin Christophe Guiot/ Cello Jean-Philippe Audin/ bassoon Gilbert Audin/ digital mix Jérémie Skornik/ mixed by Stéphane Reichart at Oméga Studio/ mastering Maël Vallin.
| Album | Titel | Vers. | Länge | Komponist/Autor | Beschreibung | Suchbegriffe | Key | BPM |
|
|
|---|---|---|---|---|---|---|---|---|---|---|
|
|
 |
Who Knows Who? [CEZ4252 - 1] |
1 | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 ... | mysteriös erzählend Spannung fragend ... | Gbm | 115 |
|
|
|
|
Who Knows Who? 2 [CEZ4252 - 20] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | mysteriös Spannung schlicht fragend ... | Gbm | 114 |
|
|
|
|
Who Knows Why? [CEZ4252 - 2] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Tense, regular & urgent. Electronics & piano. | Spionage-Filme Underscore konstant Abspann TV ... | Gb | 115 |
|
|
|
|
Hypothesis [CEZ4252 - 3] |
1 | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, regular & serious. Electronics & piano. | Schleife historischer Konflikt eindringlich Politik ... | Cm | 120 |
|
|
|
|
Hypothesis 2 [CEZ4252 - 21] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Tense, constant & serious. Electronics & piano. | Schleife historischer Konflikt eindringlich Politik ... | Cm | 120 |
|
|
|
|
Alternate Hypothesis [CEZ4252 - 4] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Mysterious & worrying. Regular pulsation. Electronics, percussion & ... | betont eindringlich Kriminalfime beunruhigend ... | C | 120 |
|
|
|
|
Turning Back the Time [CEZ4252 - 5] |
1 | 2'32 | Elisabeth Skornik, Guy Skornik | Emotionnal & passionate. Strings & electronics. | sozialkritisch bewegend Dokufiktion Klangteppich ... | Cm | 60 |
|
|
|
|
Turning Back the Time 2 [CEZ4252 - 22] |
0 | 2'30 | Elisabeth Skornik, Guy Skornik | Emotional & passionate. Regular pulsation, guitar, backwards fx @ ... | sozialkritisch bewegend Dokufiktion sentimental ... | Cm | 60 |
|
|
|
|
The Story Line [CEZ4252 - 6] |
1 | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | Zeit (Ticken) mysteriös zyklisch Kriminalfime ... | Cm | 140 |
|
|
|
|
The Story Line 2 [CEZ4252 - 23] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | eindringlich Kriminalfime mysteriös eindringlich ... | Cm | 93 |
|
|
|
|
Another Story Line [CEZ4252 - 7] |
2 | 1'41 | Elisabeth Skornik, Guy Skornik | Cyclic & serious. Staccato strings. | neo-klassische Musik Streichquartett staccato zyklisch ... | Cm | 140 |
|
|
|
|
Another Story Line 2 [CEZ4252 - 24] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Piano & staccato strings @ 0'28. | neo-klassische Musik Streichquartett zyklisch Image-Film ... | Cm | 140 |
|
|
|
|
Another Story Line 3 [CEZ4252 - 25] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, intermittent & serious. Piano & percussion @ 0'27. | neo-klassische Musik mysteriös zyklisch diskontinuierlich ... | Cm | 140 |
|
|
|
|
Stand by the Truth [CEZ4252 - 8] |
1 | 2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano ... | mysteriös investigativ ziellos atmosphärisch ... | G | 109 |
|
|
|
|
Stand By The Truth 2 [CEZ4252 - 26] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, ... | mysteriös investigativ ziellos atmosphärisch ... | G | 109 |
|
|
|
|
Public Opinion [CEZ4252 - 9] |
1 | 2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysteriös Kriminalfime fragend Image-Film ... | Fm | 162 |
|
|
|
|
Public Opinion 2 [CEZ4252 - 27] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with ... | mysteriös Kriminalfime fragend zyklisch ... | F | 161 |
|
|
|
|
At the Crossroads [CEZ4252 - 10] |
1 | 2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigativ mysteriös Kriminalfime sozialkritisch ... | Cm | 90 |
|
|
|
|
At the Crossroads 2 [CEZ4252 - 28] |
0 | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings ... | investigativ mysteriös Kriminalfime sozialkritisch ... | Cm | 90 |
|
|
|
|
Confidential Information [CEZ4252 - 11] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & interrogative. Electronics & pizzicato ... | Handwerk geduldig Politik eindringlich ... | Gm | 98 |
|
|
|
|
Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | betont schwer historischer Konflikt Dokufiktion ... | Gm | 98 |
|
|
|
|
Deep Down Inside [CEZ4252 - 13] |
1 | 2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | Handwerk stilvoll Image-Film neo-klassische Musik ... | Cm | 124 |
|
|
|
|
Deep Down Inside 2 [CEZ4252 - 29] |
0 | 1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | Handwerk stilvoll Image-Film neo-klassische Musik ... | Cm | 125 |
|
|
|
|
Spreading Rumors [CEZ4252 - 14] |
0 | 2'44 | Elisabeth Skornik, Guy Skornik | Urgent & mysterious. Séquence, string pad & piano. | Industrie mysteriös Image-Film fragend ... | Cm | 120 |
|
|
|
|
Persistent Rumors [CEZ4252 - 15] |
2 | 2'43 | Elisabeth Skornik, Guy Skornik | Panoramic, airy & worrying. String pad & piano. | atmosphärisch abwartend friedlich das weite Meer ... | Cm | 119 |
|
|
|
|
Persistent Rumors 2 [CEZ4252 - 30] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Panoramic & airy. Strings nappe. Underscore. | Klangteppich atmosphärisch neo-klassische Musik friedlich ... | Eb | 111 |
|
|
|
|
Persistent Rumors 3 [CEZ4252 - 31] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Sparse & intermittent. Solo piano. Echo fx. | schlicht fx reverb friedlich diskontinuierlich ... | Eb | 118 |
|
|
|
|
Behind The Scenes [CEZ4252 - 16] |
1 | 2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ ... | fx reverse ruhig Design und Architektur Image-Film ... | D | 104 |
|
|
|
|
Behind the Scenes 2 [CEZ4252 - 32] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | rhythmisch Image-Film neutral kraftvoll & imposant ... | D | 104 |
|
|
|
|
According to the Evidence [CEZ4252 - 17] |
1 | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & ... | mysteriös Spionage-Filme fragend schüchtern ... | Cm | 100 |
|
|
|
|
According to the Evidence 2 [CEZ4252 - 33] |
0 | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. ... | investigativ mysteriös Underscore betont ... | C | 100 |
|
|
|
|
Top Secret [CEZ4252 - 18] |
1 | 2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ ... | mysteriös städtisch investigativ Spionage-Filme ... | Eb | 62 |
|
|
|
|
Top Secret 2 [CEZ4252 - 34] |
0 | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | betont Kriminalfime schwer mysteriös ... | Bbm | 124 |
|
|
|
|
Hidden Mystery [CEZ4252 - 19] |
1 | 2'49 | Elisabeth Skornik, Guy Skornik | Weird, mysterious & linear. Electronics, sound design & strings. | investigativ paranormal sozialkritisch Spionage-Filme ... | Am | 96 |
|
|
|
|
Hidden Mystery 2 [CEZ4252 - 35] |
0 | 2'49 | Elisabeth Skornik, Guy Skornik | Strange, mysterious & linear. Electronics, sound design & strings. ... | fx reverse unsicher Spannung chaotisch ... | Am | 96 |
|
- -
- 0:00/0:00
BPM
oder
KEYS
