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Angels and Demons at Play
The album evokes a waking dream, where the real and the unreal blend together. Hypnotic patterns create a strange and captivating atmosphere. The genres explored contrast the innocence of distant memories with the threat of dark secrets. This offbeat world is a fusion of dream and mystery.
| Album | Titel | Vers. | Länge | Komponist/Autor | Beschreibung | Suchbegriffe | Key | BPM |
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Mother Bunker [EOS125 - 1] |
0 | 2'17 | Anthony Mowat, Tommy Rizzitelli, Laurent Rochelle | Mysterious, nocturnal & city-dweller. Bass, drums, guitar, synth, ... | sozialkritisch ziellos investigativ mysteriös ... | E | 122 |
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Angels and Demons at Play [EOS125 - 2] |
0 | 3'02 | Anthony Mowat | Waiting, suspended & tense. BAss, guitar, drums, synth& distant ... | sozialkritisch Abwartend ziellos Spionage-Filme ... | Fm | 60 |
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The Last Prayer [EOS125 - 3] |
0 | 2'33 | Anthony Mowat | Sad, gloomy & restrained. Piano, cello & percussion. | abwartend Geopolitik traurig sozialkritisch ... | Dm | 110 |
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A Man at the Crossroads [EOS125 - 4] |
0 | 1'22 | Anthony Mowat, David Poirier, Tommy Rizzitelli, Laurent Rochelle | Mysterious, distant & wandering. Guitar, clarinet, bass, drums & wind ... | beunruhigend mysteriös nächtlich atmosphärisch ... | Bb | 101 |
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Le Blues des Martyrs [EOS125 - 5] |
0 | 1'46 | Anthony Mowat, Tommy Rizzitelli | Weird, unsettling & sorrowful. Synth, metallic percussion & distant ... | atmosphärisch abwartend seltsam beunruhigend ... | Bm | 62 |
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Jazz from Hell [EOS125 - 6] |
0 | 1'38 | Anthony Mowat | Waiting, enigmatic & nocturnal. Synth, guitar, bass, drums, distant ... | Abwartend mysteriös nächtlich E-Bass ... | Fm | 80 |
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Nightcrawler [EOS125 - 7] |
0 | 1'42 | Anthony Mowat, Tommy Rizzitelli | Cavernous, tense & obstinate. Distant vocals, guitar, bass, drums, ... | Kriminalfime beunruhigend gehend eindringlich ... | Gb | 83 |
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Faith [EOS125 - 8] |
0 | 2'08 | Anthony Mowat | Sad, with regret then resilience. Drums, guitar, bass & synth. | melancholisch ziellos nächtlich Resilienz ... | B | 80 |
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Black Marble Shrine [EOS125 - 9] |
0 | 3'00 | Anthony Mowat, Laurent Rochelle | Uncanny, nocturnal & in suspension. Piano, cello, flute, clarinet, ... | atmosphärisch independent cinema abwartend ziellos ... | E | 104 |
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The Wait [EOS125 - 10] |
0 | 1'02 | Anthony Mowat | Waiting, mysterious, wandering & nocturnal. Bass, guitar, drums, ... | atmosphärisch sozialkritisch Abwartend abwartend ... | Cm | 108 |
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Paradise Lost [EOS125 - 11] |
0 | 2'17 | Anthony Mowat, Tommy Rizzitelli | Melancholy, introspective & nocturnal. Bass, guitar, percussion & ... | melancholisch mysteriös nächtlich E-Bass ... | G | 110 |
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The Arrival [EOS125 - 12] |
0 | 2'27 | Anthony Mowat, Laurent Rochelle | Suspenseful, voluptuous & nocturnal. Bass, piano, synth, saxophone, ... | nächtlich atmosphärisch E-Bass sozialkritisch ... | A | 118 |
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The Road to Heaven [EOS125 - 13] |
0 | 2'46 | Anthony Mowat, Tommy Rizzitelli | Floating, calm & resilient. Bass, guitar, drums, synth, vocals. | atmosphärisch sozialkritisch abwartend investigativ ... | Em | 60 |
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Angels are Dreaming of You [EOS125 - 14] |
0 | 2'31 | Anthony Mowat, Laurent Rochelle | Dreamy, atmospheric & confident. Bass, guitar, drums, synth & distant ... | abwartend verträumt ruhig Weltraum ... | G | 65 |
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I Saw Heaven [EOS125 - 15] |
0 | 2'07 | Anthony Mowat | Bright, atmospheric & confident. Bass, guitar, percussion & synth. | verträumt abwartend friedlich atmosphärisch ... | E | 60 |
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The World Looks Red [EOS125 - 16] |
0 | 2'30 | Anthony Mowat | Mysterious, cosmic & atmospheric. Synth. | abwartend Science-Fiction-Filme atmosphärisch Weltraum ... | G | 118 |
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Afterlife [EOS125 - 17] |
0 | 2'07 | Anthony Mowat, Tommy Rizzitelli | Atmospheric, suspended & nocturnal. Bass, drums, synths & guitar. | nächtlich verträumt städtisch atmosphärisch ... | Abm | 126 |
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White Marble Shrine [EOS125 - 18] |
0 | 3'00 | Anthony Mowat | Delicate, calm & introspective. Piano, celesta, flute, cello & ... | abwartend Ambient (alle) ruhig zart ... | A | 107 |
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