Bluesy guitar intro evolving with trailer percussion (riser), ...Bluesy guitar intro evolving with trailer percussion (riser), confident beat & electro FX. Resolute & strong. Heavy blues climax @ 0'57 with lead guitar. Finale & back end. Blues rock trailer music suggested for action sport, entertainment & US motor racing.
Hybrid rock / hip hop trailer track with imperious guitar riff & ...Hybrid rock / hip hop trailer track with imperious guitar riff & electro beat. Motivating & rough. Break @ 1'13. Climax @ 1'23 with bend lead guitar & percussion. Back end. Suggested for action sport, american roads & racing.
Forceful, gutsy & visceral hybrid rock trailer track with synth, ...Forceful, gutsy & visceral hybrid rock trailer track with synth, heavy power chords & drums. Build-up @ 1'00 with FX & riser. Fiery climax @ 1'19 with powerful synth line & lead guitar. Finale & back end. Suggested for entertainment, action sport & fight.
Text ... Electro funk, French Touch. Catchy, modern, dance & mainstream. ...Electro funk, French Touch. Catchy, modern, dance & mainstream. Recommended for clubbing & party. Synth, filtered voice & rhythm. Drop @ 0'44.
Fake friends
All we do is pretend
Tell you that they love u what a doesn’t at the end
Have of u fakers
Back in a day
Snake in a grash and get on my way
That fake a punch it looke hey
Borry go less daily come in my faith
Big friend
All we do is pretend
Tell you that they love u what a doesn’t at the end
Fake friends
All we do is pretend
Electro dub, trap fusion. Heavy and suspended intro then cool & ...Electro dub, trap fusion. Heavy and suspended intro then cool & confident. Suggested for modern brass band, party. Brass, synth & rhythm.
Text ... Attitude, energetic & raw speed-rock sung in Spanish. Revealing the ...Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Text ... Full Version. Attitude, energetic & raw speed-rock sung in Spanish. ...Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. ...Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Text ... Flirty, attitude & distorted pop-rock sung in Spanish. Dedicated to a ...Flirty, attitude & distorted pop-rock sung in Spanish. Dedicated to a rebel "badass girl". Male singer, distorted electric guitar, synth, male choir & rock band.
ES:
Vuelve acá mujer divina
vuelva acá mujer perdida
Yo te encuentro en cada esquina
vuelve acá mujer…
Vuelve acá mujer prohibida
vuelve acá mujer bandida
yo te encuentro en cada esquina
vuelve acá mujer…
acuérdate de todo lo que hiciste en la piscina
acuérdate que fui también parte de tu mentira
Vuelve acá mujer divina
vuelva acá mujer perdida
Yo te encuentro en cada esquina
vuelve acá mujer…
Vuelve acá mujer prohibida
vuelve acá mujer bandida
yo te encuentro en cada esquina
vuelve acá mujer…
acuérdate de todo lo que hiciste en la piscina
acuérdate que fui también parte de tu mentira
que fui también parte de tu mentira
Todo lo que hiciste en la piscina
que fui también parte de tu mentira
EN:
Come back here divine woman
come back here lost woman
I find you in every corner
come back here woman...
Come back here forbidden woman
come back here outlaw woman
I find you in every corner
come back here woman...
remember everything you did at the pool
remember that I was also part of your lie
Come back here divine woman
come back here lost woman
I find you in every corner
come back here woman...
Come back here forbidden woman
come back here outlaw woman
I find you in every corner
come back here woman...
remember everything you did at the pool
remember that I was also part of your lie
Text ... Energetic, upbeat & intense Latin-Rock sung in Spanish. Exploring a ...Energetic, upbeat & intense Latin-Rock sung in Spanish. Exploring a diversity of sounds without leaving the main rock aesthetic behind. Male singer, distorted electric guitar, synth, Latin percussion & rock band.
ES:
No se lo tome personal
17 noches en Kuwait
Premeditando no ser tú
Prevaleciendo en el fragante mood
De tu
Caminar
Manumitiendo al ser profano regular
Sin versos ni oraciones necesarias para amar
Devoto al pensamiento de verte llegar
Estafando visiones
Soy lo que me dan
tu veneno personal
Soy lo que me das
tu simpleza inmortal
La paranoia es anormal
Siento deber de más
Que decisiones al azar
Y nuestras partes para el mar
Pleased to meet u
We are Los Makenzy
Welcome to the world of us
Ellos conciben lo mortal
Más que vital algo normal
Para poder un día llegar
A un paraíso terrenal
Soy lo que me das
Tu remedio emocional
Soy lo que me dan
Tu veneno personal
Soy lo que me dan
Tu simpleza inmortal
Soy lo que me dan
No se puede esperar mas
EN:
Don't take it personally
17 nights in Kuwait
Premeditating not to be you
Prevailing in the fragrant mood
Of your
Walking
Manumitting the regular profane being
Without verses or prayers necessary to love
Devoted to the thought of seeing you arrive
Swindling visions
I am what you give me
your personal poison
I am what you give me
your immortal simplicity
Paranoia is abnormal
I feel I owe more
Than random decisions
And our parts for the sea
Pleased to meet u
We are Los Makenzy
Welcome to the world of us
They conceive the mortal
More than vital something normal
To be able one day to arrive
To an earthly paradise
I am what you give me
Your emotional remedy
I am what you give me
Your personal poison
I am what you give me
Your immortal simplicity
I am what they give me
You can't expect more
Hip-hop blues. Delta blues inspired. Upbeat, laid back & rootsy. ...Hip-hop blues. Delta blues inspired. Upbeat, laid back & rootsy. Slide acoustic guitar, electric riff & hip-hop medium beat. Lead harmonica @ 1'04. Suggested for road movies & US documentary.
Hip-hop blues based on a blues-rock riff. Determined & proud. Slide ...Hip-hop blues based on a blues-rock riff. Determined & proud. Slide electric guitar, hip-hop beat & claps. Suggested for US lifestyle & US documentaries.
Energetic & eccentric heavy rock with lead guitar hook & fat drums. ...Energetic & eccentric heavy rock with lead guitar hook & fat drums. Build-up @ 0'21 in a fiery mood. Break @ 0'41 setting a confident rhythm until virtuoso lead guitar. Finale @ 1'35. Suggested for extreme roads documentary, racing, motor & video games.
Clapping anthemic hard rock track with wah wah guitar FX & organ. ...Clapping anthemic hard rock track with wah wah guitar FX & organ. Proud, sensual & groovy. Break @ 0'51 with lead guitar. Suggested for sport, wrestling & extreme roads.
Electro beat, body music. Intro with snaps & claps, then catchy ...Electro beat, body music. Intro with snaps & claps, then catchy gimmick, modern & hype. Suggested for technology, fashion, people, daytime TV. Body percussion, snaps, claps, sampled vocals, synth & rhythm.
