Text ... Carefree & festive cha cha cha. Male vocal, horns, guitar & ...Carefree & festive cha cha cha. Male vocal, horns, guitar & percussion.
Univers du cha-cha-cha (P Canzani) Sal de la playa mi amor que yo te quiero llevar a gozar el nuevo ritmo que hace furor ponte tus zapatitos de charol que toda la noche vamos a gozar del cha-cha-cha
Te tienes que decidir porque la orquesta ya va a comenzar al son de maracas trompeta y bongo musica y dulces palabras de amor, mira y el universo va girando al compas del cha-cha-cha
Cha-cha-cha
chara-chara-cha cha-cha-cha
chara-chara-cha
Y bailalo bonito todo meneadito con ese cuerpito aaay!
Quitte la plage mon amour Moi je voudrais t’amener à jouir Du nouveau rythme qui fait fureur Mets tes petits souliers Et toute la nuit nous allons danser Le cha-cha-cha
Il faut te décider Parce que l’orchestre va commencer Au son des maracas, trompette et bongos Musique et douces paroles d’amour oui !Et l’univers tourne en rond au compas Du cha-cha-cha
Text ... Song. Bolero cha cha. Cool & sensual. Female vocal, guitar, violin, ...Song. Bolero cha cha. Cool & sensual. Female vocal, guitar, violin, percussion & bass.
ES: Tu voz fue el anuncio de la canciónQue se escribió entre los dosSonora como el canto de la tempestadEn nuestra calma nos hizo temblar Tu voz con un beso del corazón se desnudó para los dosLa lluvia con un suave rumor de cristalTrajo la tarde y nos hizo cantar Tu voz luna doradaAlumbró la dulce noche de nuestro amorHasta que amanecióPara verte partir para amarte y dejarte ir Por otra tarde se fue tu voz con la canción que nos unióLa lluvia que te extraña tras el ventanal canta la soledad Y tu voz luna doradaAlumbró la dulce noche de nuestro amorHasta que amanecióPara verte partir para amarte y dejarte ir Por otra tarde se fue tu voz con la canción que nos unióLa lluvia que te extraña tras el ventanal canta la soledad canta la soledad x 2 Tu voz canta la soledad x 2
EN: Your voice was the announcement of the songThat was written between the two of usVibrant as the chant of the stormIn our calm, made us shake Your voice with a kiss from the heartGot naked for the two of usThe rain with a soft cristal rumorBrought the evening and made us sing Your voice, golden moonLit up the sweet night of our loveUntil it was dawnTo see you goTo love you and let you go Through another evening you voice leftWith the song that brought us togetherThe rain that longs for you behind the windowSings the loneliness Your voice, golden moonLit up the sweet night of our loveUntil it was dawnTo see you goTo love you and let you go Through another evening you voice leftWith the song that brought us togetherThe rain that longs for you behind the windowSings the loneliness Sings the loneliness x 2 Your voice sings the loneliness x 2
FR: Ta voix était l'annonce de la chansonÉcrite entre nous deuxSonore comme le chant de la tempêteDans notre plénitude elle nous faisait vibrer Ta voix comme un baiser du cœur Se dénudait pour nous deuxLa pluie avec son doux bruissement de cristalNous emmenait vers le crépuscule et nous faisait chanter Ta voix lune doréeÉclairait la douce nuit de notre amour Jusqu'à l'aubePour te voir t’en allerPour t’aimer et te laisser partir Vers un autre après-midi ta voix est partieAvec la chanson qui nous unissaitLa pluie en manque de toi derrière la fenêtre Chante la solitude.
Text ... Xote. Festive & danceable. Male singer, female back up vocalist, ...Xote. Festive & danceable. Male singer, female back up vocalist, accordion & percussion. (Brasil)
A lua ta cheia, ta cheia de que ?Ta cheia de luz que ta chegando de vocêA lua ta cheia, ta cheia de que ?Ta cheia de luz que ta chegando de você Feito lanterna, lampião, luar, relâmpago,Farol de caminhão, um clarião pra me mostrarQual o caminho que me levará direto Pra de junto da menina dos meus olhos num piscarQual o caminho que me levará diretoPra de junto da menina dos meus olhos num piscar A lua ta cheia, ta cheia de que ?Ta cheia de luz que ta chegando de vocêA lua ta cheia, ta cheia de que ?Ta cheia de luz que ta chegando de você Mas que tristeza seria a minha existênciaSe eu fosse o Assum-Preto que nao pode te mirarA minha voz se calaria escurecidaQue nem mesmo a luz divina poderia clarear A minha voz se calaria escurecidaQue nem mesmo a luz divina poderia clarear
Text ... Uplifting, feel good & festive zouk sung in French Creole. Let's ...Uplifting, feel good & festive zouk sung in French Creole. Let's celebrate & enjoy life. Female singer, mixed choir, electric guitar, synth, Latin & electronic percussion.
CRE:
An an héhéhé yeah...
Fété fété, an nou profité di lavi
Fété fété, partajé lanmou, sa ki chè pou nou
Sé gras bondié ou toujou la
Ou an an bon santé
Valorisé tou lé bon moman
E, pa kité trites désespwa, ki vlé poté’w alé
Fè istwa la viw, pli bèl roman
La via tro kout, ou tan
Pa ki kité zantrav mété jouw an danjé
Oh oh oh
Sé moman pou sélébré
Réuni fanmi, é zanmi pou nou chanté
Oh oh oh
Fété fété, an nou profité di lavi
Fété fété, partajé lanmou, sa ki chè pou nou
Fété fété, an nou profité di lavi
Fété fété, partajé lanmou, sa ki chè pou nou
An souri sé an bénédiksyon
An lo moun la ka mèt tansyon
Sé angel la vi bon vibrasyon
Wiski, champan an lo presyon
Sé ba kow mouveman tchin solid
Pou vibré la vi bien solid
Ba kow mouveman pa moli
Profité san bruit, thin solid
La via tro kout mwen diw
Pa ki kité moun mété la viw an danjé
Ou ou ou
Sé moman pou sélébré
Réuni fanmi, é zanmi pou nou chanté
Héhéhé
Fété fété, an nou profité di lavi
Fété fété, partajé lanmou, sa ki chè pou nou
Fété fété, an nou profité di lavi
Fété fété, partajé lanmou, sa ki chè pou nou
Profité viv tan’w
(Profité)
Profité di lanmou
(An nou évité)
Fè sa’w ni pou fè avan la viw pati an dériv
(An an an)
Profité viv tan’w
(Profité)
Profité di lanmou
(An nou évité)
Fè sa’w ni pou fè avan la viw pati an dériv
Fété fété, an nou profité di lavi (an dériv’)
Fété fété partajé lanmou, sa ki chè pou nou
Fété fété, an nou profité di lavi
fété fété partajé lanmou, sa ki chè pou nou
EN:
An an hehehe yeah...
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
It is by the grace of God that we are still here
We are in good health
It is important to value all the good moments
Hey, we must not let sadness or despair take over
Let's make our history the most beautiful novel
Life is too short, do you know that?
Don't let anything endanger your life
Oh oh oh
It's time to celebrate life
Gather your family and friends to sing
Oh oh oh
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
A smile is a blessing
Too many people put the tension on
The angels of life give you good vibrations
Whisky, champagne reject all pressures
Give yourself the move, hold on
Live your life to the fullest
In all reactivity, do not let go
Just enjoy, hold on
Life is too short, I tell you
Don't let anyone put your life in danger
Oh oh oh
This is a time to celebrate life
Gather your family and friends to sing
He he he
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
Enjoy your life
(Enjoy)
Enjoy the love
(let's avoid)
Do what you have to do while there is still time, before you drift away
(An an an)
Enjoy your life
(Enjoy)
Enjoy the love
(let's avoid)
Do what you have to do while there is still time, before you drift away
Celebrate, celebrate, enjoy life (drift away)
Let's celebrate, let's celebrate, let's share love, what is dear to us
Celebrate, celebrate, enjoy life
Let's celebrate, let's celebrate, let's share love, what is dear to us
Instrumental. Uplifting, feel good & festive zouk. Electric guitar, ...Instrumental. Uplifting, feel good & festive zouk. Electric guitar, synth, Latin & electronic percussion.
Text ... Soul ballad in a spirit of brotherhood based on the late 18th century ...Soul ballad in a spirit of brotherhood based on the late 18th century Scottish & Irish folksong The Wild Mountain Thyme. "Well, not so long ago, I had the sweetest dream, I will never forget the feeling, people walking hand in hand...". Male singer & electric guitar. Baritone guitar & bass @ 1'11. Instrumental tr-20.
Verse 1
Well, not so long ago, I had the sweetest dream I will never forget the feeling, People walking hand in hand Will you come with me, come
To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come With me, come
Verse 2
I’m awake, but my dream is still here,
In my heart my soul and mind And I hope this dream we can share,
‘Cause your heart beats just like mine Will you come with me, come To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come with me, come Will you come, Come with me, come Will you come With me, come
Words by: Michael Wesley RobinsonMusic by: Manuel Galvin
Text ... Traditional American ballad of the late 19th century originating from ...Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Text ... Well-known 19th century minstrel song composed by Stephen Foster. ...Well-known 19th century minstrel song composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Text ... Hip-hop. Intro with synth strings & pads. Proud, unifying & catchy. ...Hip-hop. Intro with synth strings & pads. Proud, unifying & catchy. Rapper, synth & drum machine. Suggested for sport training & team sport.
[Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest [Verse]I’m feeling like I’m the bestSo far ahead of the restIt’s time to speak my mindLet me get it off my chestI ain’t holding nothing backFeeling good sitting in the backWe ain’t with all the nonsenseWe just trying to relax [Bridge]RelaxWe just trying to relaxRelaxWe just trying to relax [Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest [Verse 2]Know what is like to be a messSometimes you got to reflectI’m always thinking half fullThat’s the way I projectI’m always creating my peaceThen after that I protect itThis our life is so preciousA loss to us is a lesson [Bridge]LessonA loss to us is a lessonLessonA loss to us as a lesson [Hook]I’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chestI’ve been feeling so blessedI’ve been earning my respectI’ve been feeling so good and irritated far lessI’ve been feeling so blessedI ain’t even been stressedIt’s time to speak my mindGet it off my chest
Text ... Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & ...Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, ...Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
Text ... Chinese pop/folk ballad. Sung in mandarin. Introspective, romantic & ...Chinese pop/folk ballad. Sung in mandarin. Introspective, romantic & naive. Female singer, acoustic guitar, synth pads & bass @ 1'33.
The clouds on the mountain have almost dissipated
The clouds in the sky have almost dissipated
Wandering people still have some way to go
People in the wall will turn off the lights
The eyes with desire staring at me
My heartbeat sounds lower.
The more you hope, the harder you fall
The more alert you, the more you indulge
lonely and completely, like a pupa
Infiltrating the moist silence in this night
lonely and completely, like a pupa
Wearing the shadow of yesterday.
Text ... Cold wave, post-punk, 80's. Fiery, nocturnal & driving. Male singer @ ...Cold wave, post-punk, 80's. Fiery, nocturnal & driving. Male singer @ male back up vocalist, electric guitar & rhythm.
Losing Myself in Magic That the humble claims youMay he claim the nightThe Night and the silence
A hidden knowledgeA too long distance in the dark And your sign on a treeAnd your sign on a treeAnd your light in the breezeAll the tears on the seaAll the things that i seeWho cares about me ? There's nothing to knowPlease help meI am losing myself in the magicAnd you are here with meThere's nothing to knowPlease help meI am losing myself in the magicAnd you are here with me You are here with meAnd all the dreams cloud the dayyou are here with meunfortunately I am a poor boyToo old in my shoesYou're an angelAnd our Gods are jealous of youof youYou are an angelYou are my angelYou are There's nothing to knowPlease help meI am losing myself in the magicAnd you are here with meThere's nothing to knowPlease help meI am loosing myself in the magicAnd you are here with me
Text ... Nostalgic & tender love song, sung in Spanish. Male singer, Spanish ...Nostalgic & tender love song, sung in Spanish. Male singer, Spanish guitar, Rhodes, Peruvian cajon, brush & cello. Solo violin in a Mexican / gypsy mood @ 2'50.
Me vi corriendo tras de ti Queriendo revivirViejos instantes
Lloré, nunca lo imaginé Ya que también logré Maltratarte
Sufro este vacío Cuesta tanto reponer Las fuerzas pa’ ponerse De nuevo en pie otra vez
Cuánto tiempo pasa Buscando el cómo del porqué Yo aspiro a solo un poco De cielo en su desdén
Y corro tan rápido La alcanzo muy lentamente Lágrimas en su rostro Mis ojos sufren
Y más despacio La abrazo tan fuerte Oh, no Mis ojos sufren
(Agua)
Sufro este vacío Cuesta tanto comprender Las fuerzas van y vuelven Caballo en pie otra vez
Cuanto te lo pasas Buscando el como del porqué Aspiro a solo un poco De cielo en su desdén
Y corro tan rápido La alcanzo muy lentamente Lágrimas en su rostro Mis ojos sufren
Y más despacio Con el alma más fuerte Lágrimas en su rostro Mis ojos sufren
Text ... Revisited typical cumbia song in a pop mood, sung in Spanish. ...Revisited typical cumbia song in a pop mood, sung in Spanish. Sentimental & swaying. Male singer, electric guitar, percussion, synth, brass @2'09.
Por el poder que me confieren mis pecadosTe perdono si te observono me ignoróPor tu actitud ante las cosas que pasaronte condeno a vivir como un mal recuerdo de esos malos de los feosde los que te hacen estar solo bebiendo en un piano bar.
¡oye bien!si por la paz que ahora me embriaga te enfurecesyo lo sientola he tenido que trabajary llevar a este estado espiritual. Si aún la conciencia no te alcanza ni siquiera para pensarla sentencia pesa másy por la gracias divina será a mi a quien mal recordarás.
Lo digo y lo sostengo yo no doy un paso atrásEl cliché de que no es fácilvolverse a enamorar. Ya deja la amargura la sentencia acógelarespira bien, relájate,no nos veremos ya.
si por la paz que ahora me embriaga te enfurecesya deja la amarguradebe ser que lo mereces. Ya sé, que tú lo sientesy espero que allá en el camponos volvamos a encontrar.
Underscore. Revisited typical cumbia in a pop mood. Sentimental & ...Underscore. Revisited typical cumbia in a pop mood. Sentimental & swaying. Electric guitar, percussion & synth.
Text ... Post-punk revival / electro pop with a 80's vibe. Suggested for ...Post-punk revival / electro pop with a 80's vibe. Suggested for fashion shows. Catchy, lively & cyclic. Electric guitar, male singer, synth & rhythm.
I get the feeling that you’d like to say we’ll find a heaven in another soulOut on a neon don’t you bite your thumb it’s gettin nearer but i told you so Look at the ceiling there’s a shadow playI hear you breathing but you don’t belong the fear of fearing’s where you coming from It’s getting closer but i told you so I’ll take the chance you stop the trance i’ll take the chance you stop the dance When you reach high and lowAnd you feel there’s more to know if you keep me aroundI’ll be here when you get down Everything is terrible !
Instrumental alternate. Post-punk revival / electro pop with a 80's ...Instrumental alternate. Post-punk revival / electro pop with a 80's vibe. Suggested for fashion shows. Catchy, lively & cyclic. Electric guitar, male singer, synth & rhythm.
Text ... Post-punk revival / electro pop with a 80's vibe. Energetic, steady & ...Post-punk revival / electro pop with a 80's vibe. Energetic, steady & classy. Electric guitar, male singer & rhythm.
It’s strange, before, a goodbyeyour faith in god upset mewe’re all gonna die i’m waiting for the thunderto blow that strength awayfor the first timemake yourself weakface reality Take your timemeet your demonswe can beat them i need someone to find a newto find a new fate It’s strange , you fall , with your prideand let’s go down the sun, to feel the good timei’m waiting for the thunderto blow that strength awayjust cause you feel it , it doesn’t mean anythingi don’t blame you now take your timemeet your demonsyou can beat themi need someone to find a newto find a new fate.
Text ... Instrumental alternate. Post-punk revival / electro pop with a 80's ...Instrumental alternate. Post-punk revival / electro pop with a 80's vibe. Instrumental. Classy intro then relentless. Constant guitar riff. Arty. Electric guitar, synth & rhythm.
Text ... 80's. Pop song. Soulful, simple & uplifting. Male singer, claps, ...80's. Pop song. Soulful, simple & uplifting. Male singer, claps, synth & rhythm.
I know it's raining tonightAnd even if it's cold outsideYou're not aloneYou're not aloneI know it's raining BabyAnd even if it's cold tonightYou're not alone
Just let me take you downTake you downJust let me take you downTake you downJust let me take you downJust let me take you downTake you downTake
Text ... 80's. Pop song. Nocturnal, decided & moving. Male singer, choir, ...80's. Pop song. Nocturnal, decided & moving. Male singer, choir, synth & rhythm.
Feeling lost in this lonely world you never, listened to meEverything we do we do for a reason but it’s never for freeJust like that like a bolt from the blue you’re thinking what’s happened to meEverything you’ve done and all that you’ve become has disappeared Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home I was lost but now, I’m found
Text ... 80's. Pop song. Organic, nocturnal & nostalgic. Female singer, synth ...80's. Pop song. Organic, nocturnal & nostalgic. Female singer, synth & rhythm.
As i watch those pictures of youThey really turn me onIf i try i’ll never give youYou really turn me on On and on you turn me onSince you’re gone i feel so lonelyNever try another thing to doHear my song i tried to longI’ve been so cold i feel so lonelyTry to be a lonely girl like you As i watch those pictures of youThey really turn me onIf i try i’ll never give youYou really turn me on On and on you turn me onSince you’re gone i feel so lonelyNever try another thing to doHear my song i tried to longI’ve been so cold i feel so lonelyTry to be a lonely girl like you
