This track sounds driving, focused and dynamic. For scenes and ...This track sounds driving, focused and dynamic. For scenes and reports about an urban living environment or urgent business worlds.
This track sounds driving, focused and dynamic. For scenes and ...This track sounds driving, focused and dynamic. For scenes and reports about an urban living environment or urgent business worlds.
This track sounds driving, focused and dynamic. For scenes and ...This track sounds driving, focused and dynamic. For scenes and reports about an urban living environment or urgent business worlds.
Targeted questions make the interrogated feel nervous and pressured. ...Targeted questions make the interrogated feel nervous and pressured. For investigative content.
Targeted questions make the interrogated feel nervous and pressured. ...Targeted questions make the interrogated feel nervous and pressured. For investigative content.
Targeted questions make the interrogated feel nervous and pressured. ...Targeted questions make the interrogated feel nervous and pressured. For investigative content.
Very relaxed lounge track that invites you to laze around. For ...Very relaxed lounge track that invites you to laze around. For reports about relaxation or work-life balance.
Very relaxed lounge track that invites you to laze around. For ...Very relaxed lounge track that invites you to laze around. For reports about relaxation or work-life balance.
Very relaxed lounge track that invites you to laze around. For ...Very relaxed lounge track that invites you to laze around. For reports about relaxation or work-life balance.
Text ... Alternative, indie rock. Serious, martial & percussive. Suggested for ...Alternative, indie rock. Serious, martial & percussive. Suggested for TV show, indie film, war, social drama. Piano, drum & female singer with back-up singer.
One … for joy! And one … for sorrow. One for the hand – That takes mine tomorrow. One for the passing stranger. And one for all of us who loves us: A little danger! La la la, la la la! And what for those who scoff at our fun? Well, for them there shall be none! And only some for those who save and never spend. For why shall they have when they don't care for the little things they get? And lest they be slow to take what's so graciously offered – Well there's only more for us, for we're the ones who bother! La la la, la la la! One … for joy! And one … for sorrow One for the hand that takes mine tomorrow. One for the passing stranger. And one for all of us who loves us: A little danger! La la la, la la la!
Text ... Folk, rock ballad. Tender, poetic & nostalgic. Recommended for love, ...Folk, rock ballad. Tender, poetic & nostalgic. Recommended for love, romance, destiny, TV show, indie movie. Acoustic guitar, piano, female singer & drums.
Loneliness –
Ain't no coward's friend;
For folks like me though
It's a constant.
Something I know,
Something I can lean on,
Something to hold,
When everyone else is gone.
I was lucky to have you,
We laid side by side.
Glad when you said hello,
I was glad when you said goodbye.
Honey, I – I ain't got no fear.
Been ‘round and ‘round,
And I've seen many a tear.
And you and I,
We are free
And we run.
You're gonna have to get real strong,
If ya gonna sing this song.
Find your bravery –
If yer gonna go it alone.
Oh, in a little while,
You're just gonna "be".
Take it from someone wild,
Oh it's good to be free!
Honey, I – I ain't got no fear.
Been ‘round and ‘round,
And I've seen many a tear.
And you and I,
We are free
And we run.
Text ... Alternative, indie rock. Catchy, cyclic & constant. Suggested for TV ...Alternative, indie rock. Catchy, cyclic & constant. Suggested for TV show, independent movie, destiny, romance. Acoustic guitar, piano, organ & female singer.
I've been known to walk
With other souls in pain.
How can I explain the shame
That makes you do it again?
In the middle of the night
When wrongs are rights,
And you've got nothing left to lose;
You could choose to feel
What's revealed;
Conceal and be numb.
Oh, I'm wise
And I know the score,
So before we begin;
I'm going to look for the door.
Tried to have a talk with myself
About the walk I'd take with you.
The conclusion that I drew
Was it would be of no use.
So I, I'll decide:
Let's take a ride;
Into the night,
Into the night,
Into the night.
Elle prend une photo.
Il n'y aura pas de questions.
Tu prends le train.
Il n'y a nulle part où aller.
Il regarde un film en noir et blanc.
Elle écrit:
"Ton arrondissement
ou le mien?"
Text ... Alternate with spoken world in French @ 1'49.
I've been known to walk With other souls in pain. How can I explain the shame That makes you do it again? In the middle of the night When wrongs are rights, And you've got nothing left to lose; You could choose to feel What's revealed; Conceal and be numb. Oh, I'm wise And I know the score, So before we begin; I'm going to look for the door. Tried to have a talk with myself About the walk I'd take with you. The conclusion that I drew Was it would be of no use. So I, I'll decide: Let's take a ride; Into the night, Into the night, Into the night. Elle prend une photo. Il n'y aura pas de questions. Tu prends le train. Il n'y a nulle part où aller. Il regarde un film en noir et blanc. Elle écrit: "Ton arrondissement ou le mien?"
Text ... Alternative, indie rock, folk. Nervous, mysterious yet determined. ...Alternative, indie rock, folk. Nervous, mysterious yet determined. Explosive chorus. Suggested for road movie, TV show, indie film. Rock band with acoustic guitar, piano, organ & female singer.
Texarkana en route to New Orleans –
My baby fell from his bike. And I was told he lay conscious;
And he knew death would arrive.
Ride, ride, ride, ride…
From weeping trees blue bottles hang –
And southern grass come covered with mist. Could he not stay on the road we paved?
The dirt devours those who fall adrift.
Ride, ride, ride, ride…
They took his body back to the Golden State;
Where his mother wept a sad goodbye. And not a dry eye was to be seen –
Unless you looked into my eyes.
Melancholic, nocturnal, sad, restrained & introspective. Piano, ...Melancholic, nocturnal, sad, restrained & introspective. Piano, synth, brass & drums played with brushes. Suggested for k-drama, drama & uneasy scene.
Text ... Fast, powerful & urgent speed-rock sung in Spanish. An emotional ...Fast, powerful & urgent speed-rock sung in Spanish. An emotional conflict stuck inside one's head when desperate. Female singer, male backing vocals, synth & rock band. Lead distorted electric bass @ 2'37.
ES:
Un comportamiento muy extraño últimamente,
con llamadas que contestas sigilosamente,
un olor particular y no es detergente,
y siempre me digo:
¨Está todo en mi cabeza¨.
Está todo en mi cabeza.
Cada vez que te hablo siempre estás ausente,
tienes un comportamiento muy ambivalente,
si te digo lo que siento te molestas
y siempre me dices:
que "está todo en mi cabeza"
Está todo en mi cabeza
Y ya no voy a seguir más
porque no tienes valor de decírmelo,
me da igual si estás o no estás,
es tu cinismo el que no puedo soportar.
Y hoy vienes a mí,
me pides que confíe en ti,
pero haces lo contrario,
me iré, dirás lo mismo porque ya lo sé,
que está todo en mi cabeza
Muchas cosas para hacer es lo que me sobra,
una fila tras de mí es lo que me sobra,
cuentos para escuchar es lo que me sobra,
para que me digas:
que "está todo en mi cabeza"
Está todo en mi cabeza
Y ya no voy a seguir más
porque no tienes valor de decírmelo,
me da igual si estás o no estás,
es tu cinismo el que no puedo soportar.
Y hoy vienes a mí,
me pides que confíe en ti,
pero haces lo contrario,
me iré, dirás lo mismo porque ya lo sé,
que está todo en mi cabeza
Está todo en mi cabeza.
Está todo en mi cabeza
y ya no voy a seguir más,
no tienes valor para hablar,
es hora de
sacarte de mi cabeza
EN:
A very strange behaviour lately,
with calls that you answer stealthily,
a particular smell and it's not detergent,
and I always say to myself:
"It's all in my head".
It's all in my head.
Every time I talk to you you are always absent,
you have a very ambivalent behaviour,
if I tell you how I feel you get upset
and you always tell me:
"it's all in my head".
It's all in my head
And I'm not going to continue anymore
because you don't have the courage to tell me,
I don't care if you're there or not,
it's your cynicism what I can't stand.
And today you come to me,
you ask me to trust you,
but you do the opposite,
I'll go away, you'll say the same thing because I already know,
that it's all in my head
Many things to do is what I have plenty of,
a line behind me is what I have plenty of,
stories to listen to is what I have plenty of,
for you to tell me:
That "it's all in my head"
It's all in my head
And I'm not going to continue anymore
because you don't have the courage to tell me,
I don't care if you're there or not,
it's your cynicism what I can't stand.
And today you come to me,
you ask me to trust you,
but you do the opposite,
I'll go away, you'll say the same thing because I already know,
that it's all in my head
It's all in my head.
It's all in my head
and I'm not going to go on anymore,
you don't have the courage to speak,
it's time to
get you out of my head
Text ... Extended Intro. Fast, powerful & urgent speed-rock sung in Spanish. A ...Extended Intro. Fast, powerful & urgent speed-rock sung in Spanish. A emotional conflict stuck inside one's head when desperate. Female singer, male backing vocals, synth & rock band. Lead distorted electric bass @ 2'55.
ES:
Un comportamiento muy extraño últimamente,
con llamadas que contestas sigilosamente,
un olor particular y no es detergente,
y siempre me digo:
¨Está todo en mi cabeza¨.
Está todo en mi cabeza.
Cada vez que te hablo siempre estás ausente,
tienes un comportamiento muy ambivalente,
si te digo lo que siento te molestas
y siempre me dices:
que "está todo en mi cabeza"
Está todo en mi cabeza
Y ya no voy a seguir más
porque no tienes valor de decírmelo,
me da igual si estás o no estás,
es tu cinismo el que no puedo soportar.
Y hoy vienes a mí,
me pides que confíe en ti,
pero haces lo contrario,
me iré, dirás lo mismo porque ya lo sé,
que está todo en mi cabeza
Muchas cosas para hacer es lo que me sobra,
una fila tras de mí es lo que me sobra,
cuentos para escuchar es lo que me sobra,
para que me digas:
que "está todo en mi cabeza"
Está todo en mi cabeza
Y ya no voy a seguir más
porque no tienes valor de decírmelo,
me da igual si estás o no estás,
es tu cinismo el que no puedo soportar.
Y hoy vienes a mí,
me pides que confíe en ti,
pero haces lo contrario,
me iré, dirás lo mismo porque ya lo sé,
que está todo en mi cabeza
Está todo en mi cabeza.
Está todo en mi cabeza
y ya no voy a seguir más,
no tienes valor para hablar,
es hora de
sacarte de mi cabeza
EN:
A very strange behaviour lately,
with calls that you answer stealthily,
a particular smell and it's not detergent,
and I always say to myself:
"It's all in my head".
It's all in my head.
Every time I talk to you you are always absent,
you have a very ambivalent behaviour,
if I tell you how I feel you get upset
and you always tell me:
"it's all in my head".
It's all in my head
And I'm not going to continue anymore
because you don't have the courage to tell me,
I don't care if you're there or not,
it's your cynicism what I can't stand.
And today you come to me,
you ask me to trust you,
but you do the opposite,
I'll go away, you'll say the same thing because I already know,
that it's all in my head
Many things to do is what I have plenty of,
a line behind me is what I have plenty of,
stories to listen to is what I have plenty of,
for you to tell me:
That "it's all in my head"
It's all in my head
And I'm not going to continue anymore
because you don't have the courage to tell me,
I don't care if you're there or not,
it's your cynicism what I can't stand.
And today you come to me,
you ask me to trust you,
but you do the opposite,
I'll go away, you'll say the same thing because I already know,
that it's all in my head
It's all in my head.
It's all in my head
and I'm not going to go on anymore,
you don't have the courage to speak,
it's time to
get you out of my head
Text ... Attitude, energetic & raw speed-rock sung in Spanish. Revealing the ...Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Text ... Full Version. Attitude, energetic & raw speed-rock sung in Spanish. ...Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. ...Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Spinning, confident & punctuated with a touch of irony. Fast piano ...Spinning, confident & punctuated with a touch of irony. Fast piano arpeggio, claps @ 0'35 & bass drum.
Text ... Pop song, funk 80's. Groovy, catchy & lively. Suggested for jet set ...Pop song, funk 80's. Groovy, catchy & lively. Suggested for jet set party & celebs. Female singer, synth, electric guitar, bass, & rhythm. Electric guitar solo @ 3'23.
Hunting days and night, powerful light wich goes out x2 They would move heaven and earth to get the eternal light They would remove spirit and gods to get the eternal life
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ? Right way Hunting, days and night, powerful light wich never goes out x2 Big fight to keep shinning for their own glory Big fight to keep the crown to get control all around
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ? Right way
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ? Right way
