Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa ...Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa nova aesthetics. Brazilian guitar, vibes, cuica, drums, double bass & strings. A different view of Brazil.
Interrogative, nostalgic, wandering & sad. Inspired in late night ...Interrogative, nostalgic, wandering & sad. Inspired in late night Buenos Aires's streets. Lead bandoneón, vibes, snare brush & Spanish guitar.
Alternate extended version. Interrogative, nostalgic, wandering & ...Alternate extended version. Interrogative, nostalgic, wandering & sad. Inspired in late night Buenos Aires's streets. Lead bandoneón, vibes, snare brushes & Spanish guitar.
Indie folk bed, indie acoustic bed with a reggae feel. Catchy, bouncy ...Indie folk bed, indie acoustic bed with a reggae feel. Catchy, bouncy & nostalgic. Recommended for home and garden, TV program, countryside landscape. Acoustic guitars, organ, shaker & drums.
Text ... Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, ...Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, folk guitar, electric guitar, electric piano, backing vocals. Rhythm @0'42.
ES:
Encerraste mi corazón para juzgarlo, evaluarlo y compararlo
Escogiste estrenar un nuevo corazón sin llanto, sin camino,
sin rasguños, sin tantos malos ratos.
Oyeme si yo fallé con tus pies, me tropecé.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Tu amor, se esfumó tan pronto amaneció,
tan pronto la pasión llegó.
Sinceridad, esperaba de tu boca destilar
Oh la cara dar, qué poca fe quedaba.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Y todos esos meses que luché por ti,
pusiste al límite mi corazón.
Un te amo mal usado,
pudiste haberme ahorrado malos ratos.
Corazón herido, corazón furioso
Yo te sano con mi voz.
1915 días a tu lado, creo que fueron más pero ahora no importa tanto,
esos días fueron comparados con unos cuantos, con unos cuantos.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
Y en el fondo fondo se quedó.
EN:
You locked up my heart to judge it, evaluate it and compare it
You chose to open a new heart without tears, without a path,
without scratches, without so many bad times.
Hear me if I failed with your feet, I stumbled.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it stayed at the bottom.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
Your love, vanished as soon as it dawned,
As soon as passion came.
Sincerity, I expected from your mouth to distill.
Oh to face it, how little faith was left.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it remained.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
And all those months that I fought for you,
You pushed my heart to the limit.
A misused I love you,
You could have saved me some bad times.
Wounded heart, angry heart
I heal you with my voice.
1915 days by your side, I think it was more but now it doesn't matter so much,
those days were compared to a few, to a few.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
And deep in the bottom it stayed.
Text ... Dreamy sounds of a post-breakup healing feeling. Deceptively naive ...Dreamy sounds of a post-breakup healing feeling. Deceptively naive folk-pop sung in Spanish. Female voice, folk guitar, synths, female backing vocals, cymbals @0'28, buildup & climax @2'08.
ES:
Ya no quiero seguir con miedo
En tus manos estoy perdida
Me matas
Vete aqui?
Tus palabras me dejan sorda
Tu mirada cego? mi credo
Por favor
No quiero verte aqui?
Ahhhh
Vete de aqui?
Ahhhh
Vete de aqui?
Estar contigo
La peor condena
Prefiero salir a la carretera
Para enfrentar la vida sola
Son?ar por mi cuenta
Y si la muerte me encuentra
Morir Feliz
Ahhhh
Lejos de ti
Ahhhhh
Morir Feliz
Ahhhh
Lejos de ti
Morir Feliz
Ahhhh
Lejos de ti
Ahhhhh
Morir Feliz
(Morire, morire, morire)
EN:
I don't want to be afraid anymore
In your hands I am lost
You kill me
Go away here
Your words leave me deaf
Your gaze blinded my creed
Please
I don't want to see you here
Ahhhh
Get out of here
Ahhhh
Go away from here
To be with you
Is the worst sentence
I'd rather hit the road
To face life alone
To dream on my own
And if death finds me
Die happy
Ahhhh
Away from you
Ahhhhhh
Die happy
Ahhhh
Away from you
Dying Happy
Ahhhh
Away from you
Ahhhhh
Happy Dying
Text ... Charming & sweet folk-pop sung in Spanish. Male voice, folk guitar, ...Charming & sweet folk-pop sung in Spanish. Male voice, folk guitar, piano, male backing vocals, tambourine. Full band @2'08.
ES:
Desde que te vi
Te pienso todo el tiempo
Sueño con tus labios y con tenerte aquí
como olvidar esa sonrisa en ti
como pretender negar lo que sentí
Si entre más te pienso más quiero estar, cerca de ti
nada más
ser para ti
cuanto más debo otra vez
a esperar verte por fin.
Creo que esta vez te miraré a los ojos
y sabrás que hay algo que te quiero decir
cómo empezar si ya te debes ir
ya no se muy bien si debo o no seguir.
y más te pienso más quiero estar, cerca de ti
nada más
ser para ti
cuanto más debo otra vez
a esperar verte por fin.
Quiero que sepas la verdad
como te explico, lo que siento y entre más lo pienso
más quiero estar
cerca de ti
nada más
ser para ti
cuánto más debo otra vez
a esperar verte por fin.
Dime cuánto más
debo esperar para estar más cerca de ti.
EN:
Since I saw you
I think of you all the time
I dream of your lips and of having you here
How can I forget that smile on your face
How can I pretend to deny what I felt
If the more I think of you the more I want to be, close to you
nothing more
to be for you
how much more do I need
to wait to see you at last.
I think this time I'll look you in the eyes
and you'll know there's something I want to tell you
how to start if you must go
I don't know if I should go on or not.
and the more I think of you the more I want to be, close to you
nothing more
to be for you
how much more do I need
to wait to see you at last.
I want you to know the truth
how do I explain to you what I feel
and the more I think about it
the more I want to be
close to you
nothing more
to be for you
how much more do I need
to wait to see you at last.
Tell me how much more
must I wait to be closer to you.
Charming & sweet folk-pop. Folk guitar, piano, male backing vocals, ...Charming & sweet folk-pop. Folk guitar, piano, male backing vocals, tambourine. Full band @2'08.
Text ... Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk ...Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk guitar, electric piano, drums & strings @0'41. Full rock band @2'19.
ES:
La conocí yendo a casa espontánea yo sin fe.
Para creer me la encontraba a punto de llover.
Había un tercer personaje admitiré también lo que sé, lo que sé.
Bella que te ves con él, enamorada de cien.
Inevitable tu juego de a la mañana ven,
escondidas, tiroteos y crispetas también.
Pupilas que van a cien, no podremos negar bien,
nada, nada…
Nos hundimos trago a trago hasta devolver.
Luego te vas y es muy tarde para ya volver.
No crecimos cautivos y sabemos correr y correr y correr...
Somos el mejor juego, fichas el uno del otro
¿Que esperabas buen final?
No.
EN:
I met her going home spontaneously, I had no faith.
To believe I met her when it was about to rain.
There was a third character I will also admit what I know, what I know.
Beautiful you look with him, in love a hundred ways.
Inevitable your game of in the morning come,
hide-and-seek, shootings and pop corn too.
Pupils that go a hundred ways, we won't be able to deny well,
nothing, nothing...
We sink drink by drink until we return.
Then you leave and it's too late to come back.
We didn't grow up captive and we know how to run and run and run...
We're the best game, tokens for each other.
Did you expect a good ending?
No.
Text ... Carefree, confident & uplifting folk-pop sung in Spanish. Female ...Carefree, confident & uplifting folk-pop sung in Spanish. Female voice, folk guitar, electronic percussion, synths. Full band @1'11.
ES:
En la oscuridad
La esencia se pierde
La poca luz que queda
Se aleja y no vuelve
Cuando el dolor
Toma de tu boca
El miedo controla
Cada cosa que tocas
Sin saber de donde vengo
Yoooo
Yo no se el destino de
Mi corazo?n
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme
Otro camino tiene que existir
Donde el sufrimiento se va
Y el amor vuelve a mi
Para hacerme feliz
Reencontrando la vida
Todo lo bueno
Desde mi rai?z
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme a reencontrarme
El amor vuelve a mi
Vuelve a mi
Vuelve a mi
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme a reencontrarme
EN:
In the dark
The essence is lost
The little light that remains
Wanders away and does not return
When pain
Takes from your mouth
Fear controls
Every thing you touch
Not knowing where I come from
I,
I don't know the fate of
My heart
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me
Another way must exist
Where suffering goes away
And love comes back to me
To make me happy
Finding life again
All that is good
From my root
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me to find me again
Love comes back to me
Come back to me
Come back to me
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me to find me again
Positive and lively track with guitar and kalimba creates a good ...Positive and lively track with guitar and kalimba creates a good atmosphere. Suitable for zoo stories and pets.
Positive and lively track with guitar and kalimba creates a good ...Positive and lively track with guitar and kalimba creates a good atmosphere. Suitable for zoo stories and pets.
Positive and lively track with guitar and kalimba creates a good ...Positive and lively track with guitar and kalimba creates a good atmosphere. Suitable for zoo stories and pets.
Suspenseful intro on a slightly haunting leitmotiv. Sad, tragic but ...Suspenseful intro on a slightly haunting leitmotiv. Sad, tragic but resilient. Violin & piano. Acoustic guitar @ 1'25. Suggested for nature & human drama.
Desolate, dark, introspective & interrogative. Violin playing ...Desolate, dark, introspective & interrogative. Violin playing pizzicato, piano & acoustic guitar. In a funereal spirit. Suggested for investigation, geopolitics, human drama & lost civilization.
