Album | Titel | Vers. | Länge | Komponist/Autor | Beschreibung | Suchbegriffe | Key | BPM |
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The Marriage of Figaro [MIL007 - 11] |
0 | 4'10 | Wolfgang Amadeus Mozart | Non Piu Andrai. | Klassik (1750-1800) 18. Jahrhundert Bariton (Stimme) Oper ... | C | 115 |
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The Marriage of Figaro [MIL007 - 18] |
0 | 2'43 | Wolfgang Amadeus Mozart | Se Vuol Ballare. | Klassik (1750-1800) 18. Jahrhundert Bariton (Stimme) Oper ... | C | 122 |
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Don Giovanni [MIL007 - 24] |
0 | 4'26 | Wolfgang Amadeus Mozart | Dalla Sua Pace. | Klassik (1750-1800) 18. Jahrhundert Oper Tenor (Stimme) ... | G | 140 |
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Don Giovanni [MIL007 - 26] |
0 | 2'03 | Wolfgang Amadeus Mozart | Deh Vieni Alla Finestra. | Klassik (1750-1800) 18. Jahrhundert Bass (Stimme) Oper ... | D | 130 |
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Don Giovanni [MIL007 - 30] |
0 | 2'59 | Wolfgang Amadeus Mozart | La Ci Darem La Mano. | Klassik (1750-1800) 18. Jahrhundert Bass (Stimme) Oper ... | E | 108 |
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Don Giovanni [MIL007 - 32] |
0 | 2'16 | Wolfgang Amadeus Mozart | Madamina. | Klassik (1750-1800) 18. Jahrhundert Bariton (Stimme) Oper ... | A | 164 |
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If music be the food of love [CLA0705 - 1] |
0 | 4'30 | Henry Purcell | If music be the food of love | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Em | 144 |
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Ah! how pleasant 't is to love [CLA0705 - 2] |
0 | 1'45 | Henry Purcell | Ah! how pleasant 't is to love | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Dbm | 118 |
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Nymphs and shapherds, come ...
[CLA0705 - 3] |
0 | 1'41 | Henry Purcell | Nymphs and shapherds, come away | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gm | 165 |
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Sweet, be no longer sad [CLA0705 - 4] |
0 | 2'38 | Henry Purcell | Sweet, be no longer sad | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Cm | 123 |
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Ther's not a swain on the ...
[CLA0705 - 5] |
0 | 1'36 | Henry Purcell | Ther's not a swain on the plain | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | G | 108 |
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I saw that you were grown so ...
[CLA0705 - 6] |
0 | 2'59 | Henry Purcell | I saw that you were grown so high | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | G | 117 |
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I'll sail upon the dog-star [CLA0705 - 7] |
0 | 1'35 | Henry Purcell | I'll sail upon the dog-star | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | G | 101 |
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I see she flies me ev'rywhere [CLA0705 - 8] |
0 | 2'19 | Henry Purcell | I see she flies me ev'rywhere | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Bm | 107 |
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More love or more disdain I ...
[CLA0705 - 9] |
0 | 2'00 | Henry Purcell | More love or more disdain I crave | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Bm | 105 |
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Sylvia, now your scorn give ...
[CLA0705 - 10] |
0 | 0'58 | Henry Purcell | Sylvia, now your scorn give over | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Dbm | 143 |
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Turn then thine eyes [CLA0705 - 11] |
0 | 1'49 | Henry Purcell | Turn then thine eyes | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Bm | 129 |
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Music for a while [CLA0705 - 12] |
0 | 4'15 | Henry Purcell | Music for a while | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gm | 152 |
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Sweeter than roses [CLA0705 - 13] |
0 | 4'11 | Henry Purcell | Sweeter than roses | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Dm | 118 |
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Man is for the woman made [CLA0705 - 14] |
0 | 1'11 | Henry Purcell | Man is for the woman made | Barock (1600-1750) 17. Jahrhundert Bariton (Stimme) Cembalo ... | Gbm | 101 |
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