Text ... Famous 19th century folksong also known as The Great Rock Island ...Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.
Verse 1 From the great Atlantic ocean to the wide Pacific shore From the queen of flowing mountains to the south side by the shore She's mighty tall and handsome and known quite well by all She's the combination on the Wabash Cannonball
Verse 2 Now She came down from Birmingham one cold December day As she rolled into the station you could hear all the people say There's that gal from Tennessee she's long and she's tall She came down from Birmingham on the Wabash Cannonball
Verse 3 Yeah Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Verse 4 Our Eastern states are dandy so the people always say From New York to St. Louis and Chicago by the way From the hills of Minnesota where the rippling waters fall No chances can be taken on the Wabash Cannonball
Verse 5 So Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Sad, fatalistic & expectant. Sparse guzheng, cautious waves of ...Sad, fatalistic & expectant. Sparse guzheng, cautious waves of strings & piano. Chinese movie style.
Post-rock. Aerial, peaceful then confident but a bit nostalgic. ...Post-rock. Aerial, peaceful then confident but a bit nostalgic. Electric & acoustic guitars.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Simple guitar riff, handclaps and energetic drums characterize this ...Simple guitar riff, handclaps and energetic drums characterize this punk-influenced indie rock smasher. For feeling energetic, refreshed and motivated.
USA. Retro/old-time country waltz. Swaying & tender with nostalgia. ...USA. Retro/old-time country waltz. Swaying & tender with nostalgia. Pedal steel guitar, banjo & rhythm. Lead banjo @ 1'00.
Text ... Chinese nu-folk/pop song. Sung in mandarin. Introspective, pastoral & ...Chinese nu-folk/pop song. Sung in mandarin. Introspective, pastoral & intimate. Female singer, piano, synth pads & percussion.
There is a pond in front of the gate.
Water is flowing out
Birds are coming to bathe
Magpies are playing with lotus flowers
Girls are coming to wash the cloth.
Boys are threshing flour.
Take a look. Three times.
Working on the stone.
Take a look. Three times.
Working on the stone.
Text ... Chinese nu-folk/pop ballad. Sung in mandarin. Romantic, reflective & ...Chinese nu-folk/pop ballad. Sung in mandarin. Romantic, reflective & emotional. Female singer, electric guitar, bass & synth.
I don’t know how to settle my heart down
Best is to put it on the road so that it won’t be lost
Destiny is singing desperately
Turbulent like rain in the night
Before I wake up, the night is always so long
The moon is always by my bed
Remanding me I’m in another country
I look into the sky, these moving lights
Some invisible fingers, eternal doubts
Watching the clouds passing, listening to the world whispering
To say goodbye to you again
Too late to hesitate
After listening to all this you will finally meet
Indie rock / clapping rock. Leading, edgy & tight. Recommended for ...Indie rock / clapping rock. Leading, edgy & tight. Recommended for ads & sports. Rock band with claps & humming vocals.
Text ... Traditional lament from the Caribbean region of Colombia, sung in ...Traditional lament from the Caribbean region of Colombia, sung in Spanish. Poignant & touching. Female singer, claps & Spanish guitar.
Yo te doy mi corazónLlora gavilánSió sió gavilánY tú a mí me das el tuyoLlora gavilánSió sió gavilánSió sió gavilánQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sióQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sió
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Underscore. Traditional from the Caribbean region of Colombia. ...Underscore. Traditional from the Caribbean region of Colombia. Melancholic & touching. Spanish guitar & claps.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Text ... Traditional song from the Caribbean region of Colombia, sung in ...Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15.
Azúca me llamo yo,Azúca me llamo yo,Azúca me puso el padre, cuando me metio la sal. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca, azúca será, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Azúca, Azúca.El loro y la lora estaban loriando,El loro y la lora estaban loriando,Y yo por la reja estaba mirandoY yo por la reja estaba mirandoEl loro comiendo y yo trabajandoEl loro comiendo y yo trabajandoTrabaja compañero, trabaja. (Azúca)Trabaja voca arriba trabaja. (Azúca)Trabaja medio lado trabaja. Con que se mantiene, con la flor del verano.Con que se mantiene, con la flor del verano.Trabaja compañero, trabaja.Trabaja medio lado trabaja.Trabaja voca arriba trabaja.Trabaja voca arriba trabaja. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca me puso el padre, (Azúca)Cuando me metio la sal, (Azúca) Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento.Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento. Azúca, Ay con que se mantieneAzúca, Con la flor del veranoAzúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Author(s) :
Traditional
LC :
10347
Album :
Latin Songs: In a Traditional Mood
Erscheinungsdatum :
01/04/2020
Performed by :
Aida Bossa
Publisher(s) :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006760
Azúcar - El Loro y la Lora ...Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy ...Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Text ... Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop ...Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop elements. Female singer, Spanish guitar, synths, minimal electronic & Latin percussion.
Yo voy llorando mi penaPorque la quiero llorarSi no quisiera llorarlaMejor me pone a cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuelva a buscá' Tambolero pa cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuela a llamar Tambolero pa cantá' Voy tamboleroTambolero pa' cantá'Voy tamboleroTambolero pa' cantá'Deja que hoy quiero llorá'Tambolero pa' cantá'Pa' que te vuelva a llamá'Tambolero pa' cantá' Tambolero, tambolero, tambolero tambolero... Y que te vuelvo a llamar, TamboleroDéja que la noche caigaY que te vuelvo a llamar, TamboleroY nos volvamo' a encontrá'Y que te vuelvo a llamar, TamboleroSin prisa, sin afánY que te vuelvo a llamar, TamboleroComo la ciénaga va al marY que te vuelvo a llamar, Tambolero Tambolero, tambolero, tambolero tambolero... Tambolero pa' cantá'Tambolero pa' arrullá'
Underscore. Modern sentimental latin folk, with dream-pop elements. ...Underscore. Modern sentimental latin folk, with dream-pop elements. Spanish guitar, synths, minimal electronics & Latin percussion.