Underscore. Truck-driving country song. Confident & optimistic. ...Underscore. Truck-driving country song. Confident & optimistic. Guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.
Text ... Truck-driving "going home" country song. Confident & optimistic. ...Truck-driving "going home" country song. Confident & optimistic. Male singer, guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.
DRIVIN’ HOME VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour, and going nowhere So when you need to slow down, I just turn that car around And take the back roads thru the country when I’m drivin’ home
VERSE Sweet country music, on the radio Playin’ all those old songs we used to know Ohh, They take me back, to a place not long ago When we took the back roads thru the country When we’re drivin’ home
INSTRUMENTAL break
VERSE Rollin’ hills, deep blue skies, farmer Brown will tip his hat when you drive by Oh, we’re movin’ so fast, leave your troubles in the past and Take the back roads thru the country when you’re drivin’ home
VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour and gettin’ nowhere So when you need to slow down, just turn this car around And take the back roads thru the country
Take the back roads thru the country Take the back roads thru the country when I’m drivin’ home Drivin’ home
Lively & confident. Classic up-tempo country & western track. Slide ...Lively & confident. Classic up-tempo country & western track. Slide Dobro, pedal steel guitar & rhythm like a train.
Underscore. Modern sentimental latin folk, with dream-pop elements. ...Underscore. Modern sentimental latin folk, with dream-pop elements. Spanish guitar, synths, minimal electronics & Latin percussion.
Text ... Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop ...Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop elements. Female singer, Spanish guitar, synths, minimal electronic & Latin percussion.
Yo voy llorando mi penaPorque la quiero llorarSi no quisiera llorarlaMejor me pone a cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuelva a buscá' Tambolero pa cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuela a llamar Tambolero pa cantá' Voy tamboleroTambolero pa' cantá'Voy tamboleroTambolero pa' cantá'Deja que hoy quiero llorá'Tambolero pa' cantá'Pa' que te vuelva a llamá'Tambolero pa' cantá' Tambolero, tambolero, tambolero tambolero... Y que te vuelvo a llamar, TamboleroDéja que la noche caigaY que te vuelvo a llamar, TamboleroY nos volvamo' a encontrá'Y que te vuelvo a llamar, TamboleroSin prisa, sin afánY que te vuelvo a llamar, TamboleroComo la ciénaga va al marY que te vuelvo a llamar, Tambolero Tambolero, tambolero, tambolero tambolero... Tambolero pa' cantá'Tambolero pa' arrullá'
Text ... Revisited lament song, passionate & evolving, sung in Spanish. Female ...Revisited lament song, passionate & evolving, sung in Spanish. Female singer, Spanish guitar, traditional Colombian gaita and tambora. Female choir & brass @ 2'05.
Era como un niñoEra como un llantoEra como un ronco sollozo en su cantoEra la esperanzaEra la confianzaQue deje pérdida por toda mi casaQue deje pérdida por toda mi casa Era como un niñoEra como un llantoEra como un ronco sollozo en su cantoEra la esperanzaEra la confianzaQue deje pérdida por toda mi casaQue deje pérdida por toda mi casa (Es tu negro corazón), el que me dice(Es tu negro corazón), me dice que siga(Es tu negro corazón), el que me grita(Es tu negro corazón), me debo morir(Es tu negro corazón), el que me grita(Es tu negro corazón), me dice que siga(Es tu negro corazón), el que me dice(Es tu negro corazón), me debo morir(Es tu negro corazón), el que me dice(Es tu negro corazón), me dice que siga(Es tu negro corazón), el que me grita(Es tu negro corazón), déjala morir. Eeee ie ie ie ie, me dice que sigame dice que siga Era la esperanza
Underscore. Upbeat country & western typical cue..Rhythm section, ...Underscore. Upbeat country & western typical cue..Rhythm section, pedal steel & electric guitar lead @ 1'20.
Text ... Upbeat country & western love song about love betrayed. Male singer, ...Upbeat country & western love song about love betrayed. Male singer, rhythm section, pedal steel & electric guitar lead @ 1'20.
FOOL # 1
CHORUS Am I fool number 1 Or am I fool number 2 Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number 1 fool?
VERSE I spent so much time gettin’ hurt in this race I don’t want to end up in second place
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool?
Instrumental break
VERSE Set ‘em up Joe, and we’ll knock ‘em on down To the potential number one fool in town
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool? If you’re the queen of heartaches, Am I the number one fool?
Underscore. Country classic love cue. Confident & uplifting. Rhythm ...Underscore. Country classic love cue. Confident & uplifting. Rhythm section, organ, lead pedal steel @ 1'32 & lead electric guitar @ 1'48.
Text ... Country classic love song. Confident & uplifting. Male singer, rhythm ...Country classic love song. Confident & uplifting. Male singer, rhythm section, organ, lead pedal steel @ 1'32 & lead electric guitar @ 1'48.
IF YOU NEED ME VERSE If you need me, honey I’ll be here for you Even tho right now you think That guy has hung the moon I wish you well in that high society But if the new wears off of those satin sheets
I’ll be here if you need me
VERSE If you need me, honey I’ll still be around Waiting right here on the other side of town Where life is hard, but our love came easily So, if the new wears off of those satin sheets I’ll be here if you need me
CHORUS I know you’ve wanted out of here so long
Now here’s your chance go on and run Just remember everything that shines
Can fade away, dark clouds
Can hide the sun un un un
INSTRUMENTAL
VERSE If you need me, honey I’ll still be around
Waiting right here on the other side of town Where life is hard but our love came easily So if the new wears off of those satin sheets I’ll be here, if you need me…if you need me
Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a ...Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a party in the bayou. Pedal steel, accordion, fiddle.
Text ... Upbeat country song in a Louisiana / cajun mood. Like a party in the ...Upbeat country song in a Louisiana / cajun mood. Like a party in the bayou. Male singer, pedal steel, accordion, fiddle.
GOODTIME HONKY TONK VERSE Just a little past the county line Where the kudzu’s growin’ up the cross road sign
Sun’s sinkin’ thru the pine You’ll find the goodtime honky tonk
VERSE Just one happy family Blowin’ off steam at the end of the week Yes sir, no ma’am, thank you, please At the goodtime honky tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
VERSE Jukebox sittin’ on the old front porch Punch those numbers and hit the floor We all know what we’re here for
At the goodtime Honky Tonk
VERSE None of that new country breed Just Hank and Lefty and some Brenda Lee Listen to Willie puff some weed At the goodtime Honky Tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
INSTRUMENTAL
REPEAT CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk At the goodtime Honky Tonk At the goodtime Honky Tonk Heyeeeee
Underscore. Slow & romantic in a folk mood. Minimal stable ...Underscore. Slow & romantic in a folk mood. Minimal stable instrumentation yet very emotional. Arpeggiated Spanish guitar, vocal & latin percussion, synth.
Text ... Slow & romantic in a folk mood, sung in Spanish. Minimal stable ...Slow & romantic in a folk mood, sung in Spanish. Minimal stable instrumentation yet very emotional. Female singer, arpeggiated Spanish guitar, vocal & Latin percussion, synth, vocal solo @ 2'12.
MiraQue si sonríes brilla más cada mañanaQue por las noches cuando me acuesto en mi camaBrilla el solMiraQue si despierto con frío en la madrugadaRecuerdo el calor de tu sonrisa en mi almohadaBrilla el solCuandoCuando te miroBrilla el sol cuando me siento caerBrilla el solPero amanezco en tu pielBrilla el solTe miroRespiroMiraQue es tu sonrisa lo que más quiero en el mundoQue si sonríesSiento un palpitar profundoBrilla el solCuandoCuando te miroBrilla el sol cuando me siento caerBrilla el solPero amanezco en tu pielBrilla el sol de nocheTarde, madrugadaBrilla el solBrilla el solBrilla el solBrilla el solRecuerdo el calor de tu sonrisa en mi almohada
Underscore. Traditional from the Caribbean region of Colombia. ...Underscore. Traditional from the Caribbean region of Colombia. Melancholic & touching. Spanish guitar & claps.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Text ... Traditional lament from the Caribbean region of Colombia, sung in ...Traditional lament from the Caribbean region of Colombia, sung in Spanish. Poignant & touching. Female singer, claps & Spanish guitar.
Yo te doy mi corazónLlora gavilánSió sió gavilánY tú a mí me das el tuyoLlora gavilánSió sió gavilánSió sió gavilánQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sióQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sió
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Author(s) :
Traditional
LC :
10347
Album :
Latin Songs: In a Traditional Mood
Erscheinungsdatum :
01/04/2020
Performed by :
Aida Bossa
Publisher(s) :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006750
South Carolina Waltz ...South Carolina Waltz Underscore [CEZ4396 - 16]
Text ... Country & western waltz. Sentimental love story & an homage to the ...Country & western waltz. Sentimental love story & an homage to the state of South Carolina (the Palmetto state). Male singer, pedal steel, fiddle & rhythm.
SOUTH CAROLINA WALTZ VERSEIt was early spring Cherry blossoms were bloomin’ And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis And fell in love as they danced to The South Carolina Waltz
VERSE He was a sailor Who came from South Hampton From a ship building family, though we never pried Sally Ann had her man, Sir William Lewis And they danced and they swayed to the South Carolina Waltz
CHORUS We always knew
That it was forever Like the dawn of the rest of their lives From that night on, they were always together Side By Side
VERSE It was late in the fall When winter came callin’ And the sun sinkin’ low in the palmetto sky Sally Ann took the hand of sir William Lewis And they sailed off together for a late sunset ride But the autumn winds can be unforgiving And from out of nowhere their boat capsized And Sally Ann grabbed the hand of Sir William Lewis And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring Cherry blossoms are bloomin’ And the sun settin’ low in the palmetto sky
Text ... Emotional & obstinate song with a pre-hispanic Mexican influence, ...Emotional & obstinate song with a pre-hispanic Mexican influence, sung in Spanish. Male singer, Spanish guitar & strings. Spoken male voice in Spanish @ 0'58. Spoken male voice in Huichol @ 2'03.
Deja que te arrulle el mar Deja que te rompa Serpentea humilde Ensimismado
El silencio es una flor De verdad te toca Su belleza huye de todo rincón Como un venado
Es lo dulce en su sabor Y lo dulce implora ¿Quieres que te abrigue Un ser humano?
Titilan las estrellas Alumbra el corazón ¿Quién oye los clamores? ¿Quien canta de dolor?
Por lo que se perdió Por lo que nos quedó La angustia del mañana Tan desesperanzador
Halla en la luz del cielo Un rinconcito para ti
Conserva lo más simple La llama en el fuego Da vuelta el origen Y vuelve a definirse
Cuando ya no quise hablar Cuando ya no quise hablar Cuando ya no quise hablar
