Text ... Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, ...Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Sung in Spanish. Male singers, piano, brass with baritone sax, Latin percussion & drum machine. Rap break & trombone riff @ 1'14. Suggested for Latin party.
ES:
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Ya se lo que estas buscando
de lejos lo puedo ver
De la forma en que miras
estoy seguro que quieres perderte
en las ganas que yo tengo
de darte lo que tu quieres
no importa cuanto te tardes
se que tu vas a venir y aquí yo te espero
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
No se lo que pueda pasar
but I want it to happen
y tu también
ven que te invito a bailar
with me all night long
boogaloo
sabor
ven acércate un poquito
atrévete y ven
baby déjate querer
atrévete y ven
i know just how you feeel tonight
atrévete y ven
cause baby, i feel the same way
atrévete y ven
se acabaron las escusas
atrévete y ven
and i really wanna see you again
así que no perdamos el tiempo
let me relieve you from all the stress
let me dance with you come on baby
apretaito'
apretaito'
let me dance with you come on baby
apretaito'
apretaito'
oh baby ven
atrévete y ven
atrévete y ven
atrévete y ven
atrévete y ven
EN:
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I know what you're looking for
From a distance I can see it
The way you look at me
I'm sure you want to lose yourself
In the desire that I have
of giving you what you want
no matter how long it takes
I know you're coming and I'm waiting here for you
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I don't know what will happen
but I want it to happen
and so do you
come I invite you to dance
with me all night long
boogaloo
flavor
come a little closer
dare and come
baby let yourself be loved
dare and come
I know just how you feel tonight
dare and come
cause baby, i feel the same way
dare and come
no more excuses
dare and come
and i really wanna see you again
so let's not waste time
let me relieve you from all the stress
let me dance with you come on baby
Tightly
Tightly
let me dance with you come on baby
Tightly
Tightly
oh baby come on
dare and come
dare and come
dare and come
dare and come
Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. ...Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Piano, brass with baritone sax, Latin percussion & drum machine. Break & trombone riff @ 1'14.
Text ... Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in ...Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & ...Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga & cowbell.
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & ...Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Text ... Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party.
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Text ... Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party.
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Traditional popular samba in the spirit of the Rio Carnival of the ...Traditional popular samba in the spirit of the Rio Carnival of the 30's. Festive, lively & joyful. Cavaquinho, guitar, accordion & Brazilian percussion.
Text ... Samba in the pure tradition of the Rio carnival. Lively, joyful, ...Samba in the pure tradition of the Rio carnival. Lively, joyful, extrovert & festive. Voices, brass & Brazilian percussion.
La lalaia laia
laialaia lalaia laia
la la laiala
laialaiala laia laia
Text ... Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. ...Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. Spoken female vocals, male choir, slap bass & Brazilian percussion. The sound of the favellas...
Funk iluminado, bateria da mangueira
Nosso funk ta ligado de segunda a sexta feira
Funk ritmado com cozinha de primeira
Belo funk revoltado no swingue da rockeira
Funk bagunçado descambando em barulheira
Vira funk sossegado do vovô na gafieira
Funk liberado sem receio sem barreira
Pelo funk misturado com forró e capoeira
Povo mal nutrido da caatinga, do cerrado
Vira povo divertido pelo beat do pecado
Povo destemido de miséria ta cercado
Belo povo colorido da mistura derivado
Povo extrovertido generoso e relaxado
Nosso povo é resolvido teje certo teje errado
Povo emputecido com destino complicado
Pelo povo corrompido que se cala no senado
Text ... Capoeira, traditional Afro-Brazilian music & dance from Bahia. ...Capoeira, traditional Afro-Brazilian music & dance from Bahia. Rhythmic, ritualistic & rootsy. Berimbau (traditional musical bow) & Brazilian percussion.
Samba/Bossa-nova in the spirit of the 70's. Carefree, exotic, refined ...Samba/Bossa-nova in the spirit of the 70's. Carefree, exotic, refined & a bit old-fashioned. Lead flute & Brazilian percussion. A postcard from Rio de Janeiro...
Alternate. Underscore. Samba/Bossa-nova in the spirit of the 70's. ...Alternate. Underscore. Samba/Bossa-nova in the spirit of the 70's. carefree, exotic, refined & a bit old-fashioned. guitar, agogo & other Brazilian percussions.
Text ... Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated ...Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
Samba/bossa-nova. Smiling, exotic & fun with a touch of kitsch. ...Samba/bossa-nova. Smiling, exotic & fun with a touch of kitsch. Flute, agogo & other Brazilian percussion.
Brazilian dance/clubbing music based on a traditional rhythm. ...Brazilian dance/clubbing music based on a traditional rhythm. Brazilian & electronic percussion, cuica, agogo, pandeiro & synth.
Brazilian trance music based on a capoeira rhythm. Berimbau (musical ...Brazilian trance music based on a capoeira rhythm. Berimbau (musical bow), percussion & synth.
Text ... Classy, carefree & smooth salsa/chachacha. Lead flute, Latin ...Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. ...Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Text ... Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute ...Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute solo @1'45, Latin percussion, piano, male choir & male singer @3'28.
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Abran paso
Que yo vengo como el tren
Y amarra bien en tu zapato
Vamos a bailar
Mi vida
Que no hay vuelta atrás
No es mentira
Todo lo que quiere es lo que pide
y eso mismo es lo que yo le doy
Con Chaboró
Baila que baila
Goza que goza
Que esta noche estamos' en fiesta
Candela que quema
Para la niña y pa la señora
Soy feliz
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Bueno mi gente,
Tenemos una sola vida
Disfrútenla !
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Chorus 2: And never backwards no no no no
Make way
I'm coming like a train
And tie well in your shoe
Let's go dancing
My life
There's no turning back
It's not a lie
All you want is what you ask for
And that's what I give you
With Chaboró
Dance that dances
Enjoy and enjoy
That tonight we're partying
Fire that burns
For the girl and for the lady
I'm happy
Chorus 1: I'm going through life moving forward and never backwards no no no no
Alternate without vocal. Elegant, cheerful & easy Latin ...Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor ...Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor sax, Latin percussion, piano & bass. Gaita de furro is a traditional rhythm from Venezuela.
Text ... Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Text ... Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin ...Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.
