And if, listening to an album, we were to completely let go? In Praise of Slowness is a hymn to reverie and the time it takes for time to pass. Back to the roots of 70's ambience; a tip of the hat to the masters of the genre: Brian Eno, Robert Fripp, Harold Budd... In an ever-accelerating world, In Praise of Slowness opens a parenthesis which someone forgot to close.
Album | Titel | Vers. | Länge | Komponist/Autor | Beschreibung | Suchbegriffe | Key | BPM |
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In Praise of Slowness [CCB1023 - 1] |
0 | 7'06 | François Elie-Roulin, Matthieu Lesenechal | Calm, relax & panoramique. Electric guitar with fx delay & pads. | ruhig träge entspannt E-Gitarre ... | D | 62 |
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Never Ending Ritual [CCB1023 - 2] |
0 | 4'07 | François Elie-Roulin | Uplifing but calm. Electric guitar & rock band. | panoramabild ziellos USA E-Gitarre ... | D | 70 |
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Tenderness Waves [CCB1023 - 3] |
0 | 7'59 | François Elie-Roulin | Suspented, punctuated & desolated. Piano, electronics & cello line @ ... | trostlos Design und Architektur abwartend akustisches Klavier ... | Eb | 82 |
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Shimmer and Shift [CCB1023 - 4] |
0 | 6'06 | François Elie-Roulin, Matthieu Lesenechal | Soaring, luminous & atmosperic with an Indian feel. Electric guitar, ... | Experimenteller Rock Design und Architektur Dokufiktion E-Gitarre ... | E | 76 |
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Near Yet So Far [CCB1023 - 5] |
0 | 5'08 | François Elie-Roulin, Matthieu Lesenechal | Arid & toxic. Electric fuzz guitar, piano & electronics. | toxisch trocken trostlos Naturkatastrophe ... | Em | 60 |
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Discret Intuition [CCB1023 - 6] |
0 | 5'07 | François Elie-Roulin | Peaceful, dreamy & panoramic. Piano, strings & electronics. | friedlich träge Panorama konstant ... | F | 60 |
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Timeless Elegy [CCB1023 - 7] |
0 | 5'00 | François Elie-Roulin | Moving, lyrical & passionate. String quartet. | Schicksal bewegend Streichquartett 19. Jahrhundert ... | Am | 82 |
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Take it Easy, Take it Slow [CCB1023 - 8] |
0 | 2'48 | François Elie-Roulin | Intimist, delicate & simple bluezy ballad. Solo piano. | vertraut USA akustisches Klavier Liebesfilme ... | Em | 95 |
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